Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 4، July 2024 ، issue Number 98

The stylistics of Mirzabagher Hosseini Natanzi's manuscript

Fateme Chehrazi , Mohammad Hakim Azar (Author in Charge), Asghar Rezapourian

Abstract

BACKGROUND AND OBJECTIVES: Manuscripts are the capital and cultural support of every nation. These treasures represent the history of science and artistic values ​​in different centuries. Examining the content and structure of manuscripts can be an effective help in understanding the style of each period and the factors influencing it, as well as the recognition and promotion of scientific, cultural and intellectual achievements of different ages. One of these lasting legacies is the manuscript of the Divan Poems of Mirza Baqer Hosseini Nazhanzi, a poet of the Safavid era. is. He is definitely one of the poets of the Shiite religion, who has praised the imams of Athar many times in his poems. His divan includes ghazals, masnavis, quatrains, pieces, etc. The purpose of this research is to introduce the manuscript and examine its stylistic features from a linguistic, literary, and intellectual perspective.

METHODOLOGY: The present research is a theoretical study that was carried out using a library method and a descriptive-analytical method. The scope and society of our study, the manuscript of Diwan Mirza Baqer Hosseini, which is available in the library of the Islamic Council.

FINDINGS: Based on the findings of this research, compared to other poets of Indian style, Mirza Baqer"s poetry does not have thin imaginations and complex and slow-to-understand themes. His poetic language is simple and fluent. He has rarely used prefixed verbs and Old Persian adjectives. There are no heavy and unusual Arabic words in his poetry. Also, according to the time situation (Indian style), the Divan of the poet is full of popular phrases and expressions. Repetition and puns are at the top in the verbal industries. The style of simile and allegory also have a high frequency. In his quatrains, he is close to Khayyami"s thought and points to the shortness of the world and the seizing of opportunities.

CONCLUSION: The lines in Mirza Baqir"s poetry are very diverse, and among them, the current line has a high frequency. Simile and its types, metaphor and allusion are at the top among expressive industries. The theme of his lyrical poetry is love, and it is almost in accordance with the Iraqi school, and he loves the unlucky face and the lover at the peak of cruelty. Mirza Baqir is a poet of the Shiite religion, and the description of the imams of purification, especially Hazrat Ali, adorns his poems. Sufi and Qalandar themes can also be seen in his poems. He has written poetry in all kinds of poetry formats, such as Masnavi, Ghazal, Rabai, etc.

Keyword
stylistics , manuscript , Mirzabagher Hosseini , Indian style , recognition of style

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